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Nadine Cohodas's biography of the passionate, talented and difficult, but ultimately lovable, Nina Simone is an object lesson in American life. With thorough interviews and research, much new material and information that has never before come to light, Nadine tells the story of Eunice Wayman, born in Tryon NC in 1933, with a stunning musical talent that was spotted early by family and friends.
Trained as a classical pianist through the charitable auspices of a local white woman who paid for her lessons and made sure she had access to a first-rate piano teacher, Eunice became Nina Simone only after the devastating disappointment of not being accepted at the highly exclusive Curtis Institute of Music. She had planned to be a classical musician, and much of her life and career were colored by this fact -- as was her music, making her attack on a typical jazz tune uniquely heady and virtuosic.
In the summer of 1954, in order to make a living, Eunice took a job playing the piano at a bar in Atlantic City, and before long she was not just playing but singing and was becoming Nina Simone, the marquis name she picked for these first gigs. The rest is history, or becomes so with Nadine's ministrations.
We watch the exciting rise of Nina's discovery of herself as a singer (by 1959 she had a hit with "I Love You Porgy" and had sung Town Hall, was well received and on her way), her unique and challenging relationship with her audiences (she would "shush"; them angrily -- as a classically trained musician, she didn't believe in cabaret chat ), her involvement in and contributions to the Civil Rights Movement (through songs such as her seminal "Mississippi Goddam" and friendships with James Baldwin, Lorraine Hainsbury and Langston Hughes), her marriage and brief family contentment with the police detective Andy Stroud, with whom she had her daughter Lisa.
Alongside these threads runs a darker one: Nina's increasing and sometimes baffling outbursts of rage and pain, her isolation into a confused world of perceived wrongs against her (some turned out to be real wrongs -- such as the lack of royalties paid on her work, which was later legally addressed), and the erratic behavior that caused her trouble and gave heartache to her true fans over the years.
Ultimately she turned away from America and settled abroad in search of equilibrium. (In the mid-seventies Nina relocated to Liberia, then moved to Switzerland, Paris, and finally settled in the south of France.) Nina was a grande dame late in life, given a boost when Chanel used her "My Baby Just Cares for Me" in a TV perfume ad in 1987. She returned to the States to perform in 2000, and died at the age of seventy in 2003. At the end, Nina sang to devoted crowds, even when she wasn't always at her very best.
- Sales Rank: #105376 in Audible
- Published on: 2012-03-15
- Format: Unabridged
- Original language: English
- Running time: 937 minutes
Most helpful customer reviews
33 of 35 people found the following review helpful.
A Worthwile Biography, But Not The Best
By David Penn
Nadine Cohodas' biography of Nina Simone is well researched, yet I find that the author paints an untrue picture of events that supposedly took place during some of Nina Simone's concert performances. Much is made of her erratic behaviour on stage, in one instance in a Billie Holiday Tribute that Simone took part in at the Hollywood Bowl. I have an audio tape of her complete performance. It was one of Nina's very greatest performances, yet the reader is led to belive that her appearance was a disaster. Cohoda's brief review of Simone's 1976 Montreux Jazz Festival appearance (which exists on DVD) makes one wonder if the author actually watched the entire performance. Too little attention is made of what made Nina Simone such an important and original artist. Her prolific recording activity and filmed performances should have been given more attention. I found another biography, "Nina Simone: Break Down and Let It All Out" by Sylvia Hampton, David Nathan, and Lisa Simone Kelly to be a more intersting read. This book does contain some fascinating photographs, though.
23 of 26 people found the following review helpful.
A TRUE ARTIST UNDER APPRECIATED
By Wooley in PSL
Nina Simone has often been an enigmatic figure. A tremendously talented singer/musician and a recognized figure in the Civil Rights Movement, she often showed a troubling personality. Nadine Cohodas has done a wonderful job giving us a biography of this prominent lady. Born Eunice Waymon in North Carolina, when she was very young she started showing great musical talent. Usually she is classified as a jazz singer but Simone hated classifications. Her failure to be selected in to a prestigious musical school for being black set a feeling that would follower in her live. Now singing as Nina Simone in New York she became a huge performer and would enter into the world of the black intelligentsia. Soon her passion was the Civil rights Movement. But this book shouts out at the problems she had in life. Often she was perceived as having bad behavior with her audiences, and even friends. Turns out she was suffering from bipolar disorders and these were hidden from almost everyone until after her death. Cohodas does a good job writing about her life and giving us background on her mental issues.
5 of 5 people found the following review helpful.
The High Priestess of Soul
By G. E. Harrison
I became a fan of Nina Simone as a teenager in the 60s after seeing her in concert on TV, much to the puzzlement of my friends who considered her 'uncool'. However, I've remained a fan although I never saw her live - I did have the chance to see her at the Bishopstock Festival in Devon UK in 2001 but by that time her voice had gone and I chose not to attend that night and to remember her through her records. There are several biographies of Nina, including an autobiography, which all seem to have their supporters and also their critics, this is the latest and so can draw on these previous memoirs together with fresh interviews to give a comprehensive overview of this unique artist. She wasn't really a jazz singer, a blues singer, a folk singer, a soul singer, a protest singer, a pop singer, a cabaret singer, a show singer or a classical pianist - although her work contained elements of all these genres, combined into Nina's own unclassifiable style.
When first skimming through the book I was a bit surprised that her performing career only began from pages 60-odd onwards but these early pages dealing with the lives of her parents and family and her own young life give an excellent context to her later life and also to the place of black people in America at that time. Nina emerges as a determined and very focussed child, who was opinionated and knew her place in the world from an early age (a foretaste of the diva she was to become in later years). Even in her earliest performances she didn't put up with what she considered disrespect but there are also instances of unreasonable behaviour even in her 20s which must have been early indications of the bipolar disorder that she was diagnosed with in later life.
The book charts her career progressing from small club dates to international concert appearances, a constantly changing procession of backing musicians, her recording sessions and her fight to get royalties from these records. It also notes Nina's gradual involvement with the civil rights movement and her increasing militancy and sympathy with black power. In line with all these the book also catalogues increasing bad behaviour both on stage and off and although some have criticised other books for focussing on this behaviour unfortunately it was unquestionably a feature of many Nina Simone performances in her later years. However, the book also details how many musicians, promoters and friends remained loyal despite the bad treatment they sometimes received from her and also how audiences still greeted her ecstatically despite late appearances, erratic on stage behaviour and failing vocal and musical powers.
I found Nadine Cohodas' book a good, very objective study of the life of a truly unique artist. I've previously read Nadine's 'Spinning Blues Into Gold' - the story of Chess Records - which I also found very interesting but like this book strangely 'cold' - it was so objective that you couldn't tell if she was fan of Miss Simone or hated her. There are some excellent photographs of Nina throughout the book but these are printed on the same pages as the text rather than separate glossy pages, which no doubt keeps costs down but does reduce the quality of the images. The book ends with a comprehensive index, a bibliography, a (very) short list of CD/DVD credits, acknowledgements and 40 pages of notes. The notes contain several very interesting snippets together with the page numbers that they relate to but at the back of the book they are completely isolated from the text - I felt it would have been better to include the notes at the foot of the relevant pages or to annotate the text with reference numbers to link with the notes.
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